 | sir Joshua Reynolds - 1819 - 382 pages
...leaf of my pocket-book, and darkened every part of it in the same gradation of light and shade as L 2 the picture, leaving the white paper untouched to...conduct in the management of their lights. After a few experiments I found the paper blotted nearly alike : their general practice appeared to be, to allow... | |
 | Sir Joshua Reynolds - Art, English - 1819 - 388 pages
...a leaf of my pocket-book, and darkened every part of it in the same gradation of light and shade as the picture, leaving the white paper untouched to...conduct in the management of their lights. After a few experiments I found the paper blotted nearly alike : their general practice appeared to be, to allow... | |
 | James Northcote - Art - 1819 - 388 pages
...leaf out of my pocket book, and darkened every part of it in the same gradation of light and shade as the picture, leaving the white paper untouched, to...trials of this kind will be sufficient to give the me'lhod of their conduct in the management of their lights. After a few experiments, I found the paper... | |
 | British poets - Classical poetry - 1822 - 280 pages
...a leaf of my pocketbook, and darkened every part of it in the same gradation of light and shade as the picture, leaving the white paper untouched to...and this without any attention to the subject, or the drawing of the figures. A few trials of this kind will be sufficient to give the method of their... | |
 | sir Joshua Reynolds - 1824 - 332 pages
...a leaf of my pocket book, and darkened every part of it in the same gradation of light and shade as the picture, leaving the white paper untouched, to...conduct in the management of their lights. After a few experiments I found the paper blotted nearly alike : their general practice appeared to be to allow... | |
 | Sir Joshua Reynolds - Art - 1824 - 332 pages
...a leaf of my pocket book, and darkened every part of it in the same gradation of light and shade as the picture, leaving the white paper untouched, to...conduct in the management of their lights. After a few experiments I found the paper blotted nearly alike: their general practice appeared to be to allow... | |
 | Sir Joshua Reynolds - Art - 1824 - 284 pages
...took a leaf of my pocket-book, and darkened every part it in the same gradation of light and shade as the picture, leaving the white paper untouched to...represent the light, and this without any attention to tfee subject, or to the drawing of the figures. A few trials of this kind will be sufficient to give... | |
 | 1827 - 604 pages
...same gradation of light and shade as the picture, leaving the ' white paper untouched to represent light, and this without ' any attention to the subject,...of this kind, will be sufficient to give the method ' Titian, Paul Veronese, and Tintoret,' observes Sir Joshua Reynolds,' were among the first painters... | |
 | Allan Cunningham - Architects - 1830 - 402 pages
...became wearied in contemplating a succession of specimens submitted to his inspection, and, fixing of the figures. A few trials of this kind will be...conduct in the management of their lights. After a few experiments I found the paper blotted nearly alike: their general practice appeared to be, to allow... | |
 | Allan Cunningham - 1832 - 324 pages
...pocket-book, and darkened every part of it in the same gradation of light and shade as the pic-> ture, leaving the white paper untouched to represent the light, and this without any attention to the sub ject or the drawing of the figures. A few trials of this kind will be sufficient to give the method... | |
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When I observed an extraordinary effect of light and shade in any picture, I took a leaf of my pocket-book, and darkened every part of it in the same gradation of light and shade as the picture, leaving the white paper untouched to represent the light,... 
