World Cinemas, Transnational PerspectivesNataša Durovicová, Kathleen E. Newman SCMS Award Winner "Best Edited Collection" The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images. |
Contents
preface | |
acknowledgments | |
part one the geopolitical imaginary of cinema studies | |
part two cinema as transnational exchange | |
part three comparative perspectives | |
Other editions - View all
World Cinemas, Transnational Perspectives Natasa Ďurovičová,Kathleen Newman No preview available - 2010 |
Common terms and phrases
aesthetic African Amakhosi Asian audiences body Brazilian British Film Institute Bruce Lee Bulawayo capital China Chinese cinema cinematic transnationalism circulation concept contemporary context cosmopolitan critical dimension discourse dubbing economic European fantasy film culture Film Festival film history film industry Film Institute film studies film theory film’s filmmakers French Gardel genre geopolitical global Hispanic Hollywood Hong Kong action Hong Kong Cinema iconic identity ideology indexical instance Japanese kung fu labor power language Latin American Leth linguistic martial arts films Mexican cinema Mexico mobility modernist movement multiculturalism musical narrative national cinema ofthe particular Pixote political production question regional relations representation scale screen Shanghai Shochiku social sound space Spanish Spanish-language strategy subtitles Taiwan television theater traditional transnational transnationalism United University Press urban vernacular modernism Wong Kar-wai world cinema York Zhang Zhang Yimou