 | Charles-Alphonse Dufresnoy - Painters - 1716 - 504 pages
...Mortification^ in the Deformiji$?S) and Difproportions which are- in us. For a 5 \ PREFACE. which Reafon, the artful Painter , and the Sculptor, imitating the Divine Maker, form to themfelves, as well as they are able, a Model of the Superiour Beauties j and reflecting on them endeavour... | |
 | Charles-Alphonse Dufresnoy - Art - 1783 - 248 pages
...fee to our mortification, in the deformities and difproportions which are in us. For which reafon, the artful Painter and the Sculptor, imitating the Divine Maker, form to themT felves, felves, as well as they are able, a model of the fuperior beauties ; and, refledting... | |
 | John Dryden - 1800 - 662 pages
...afterwards prefixed to LE VITE PE PITTORE, &c. by the same author, printed at Rome in 410. 1672. ' artful painter and the sculptor, imitating the ' Divine...the common nature, and to represent ' it as it was at first created, without fault, either ' in colour or in lineament. ' This IDEA, which we may call... | |
 | John Dryden - English prose literature - 1800 - 712 pages
...afterwards prefixed to LE VITE DE PITTORE, &c. by the same author, printed at Rome in jio. 1672. * artful painter and the sculptor, imitating the ' Divine...themselves, as well as ' they are able, a model of the superiour beauties ; ' and reflecting on them, endeavour to correct ' and amend the common nature,... | |
 | John Dryden - 1800 - 674 pages
...afterwards prefixed to LE VITE DE PITTORE, &c. by the same author, printed at Rome in 410. 1672. * artful painter and the sculptor, imitating the ' Divine...themselves, as well as * they are able, a model of the superiour beauties ; * and reflecting on them, endeavour to correct ' and amend the common nature,... | |
 | John Dryden, Edmond Malone - English prose literature - 1800 - 670 pages
...imitating the * Divine Maker, form to themselves, as well as * they are able, a model of the superiour beauties ; ' and reflecting on them, endeavour to...the common nature, and to represent ' it as it was at first created, without fault, either * in colour or in lineament. ' This IDEA, which we may call... | |
 | John Dryden - 1800 - 674 pages
...afterwards prefixed to LE VITE DE PITTORE, &c. by the same author, printed at Rome in .jto. 1672. * artful painter and the sculptor, imitating the * Divine Maker, form to themselves, as well as 4 they are able, a model of the superiour beauties ; * and reflecting on them, endeavour to correct... | |
 | John Dryden, Walter Scott - English literature - 1808 - 520 pages
...see to our mortification, in the deformities and disproportions which are in us. For which reason, the artful painter and the sculptor, imitating the...amend the common nature, and to represent it as it was at first created, without fault, either in colour, or in lineament. " This idea, which we may call... | |
 | John Dryden, Walter Scott - 1808 - 516 pages
...see to our mortification, in the deformities and disproportions which are in us. For which reason, the artful painter and the sculptor, imitating the...amend the common nature, and to represent it as it was at first created, without fault, either in colour, or in lineament. " This idea, which we may call... | |
 | John Dryden - English literature - 1808 - 518 pages
...see to our mortification, in the deformities and disproportions which are in us. For which reason, the artful painter and the sculptor, imitating the...the common nature, and; to represent it as it was at first created, without fault, either in colour, or in lineament. " This idea, which we may call... | |
| |
For which reason, the artful painter and the sculptor, imitating the Divine Maker, form to themselves, as well as they are able, a model of the superior beauties ; and reflecting on them, endeavour to correct and amend the common nature, and to represent... 
