 | English literature - 1798 - 554 pages
...always a correfpondcnt fpirit in the execution of the work. The finking brilliancy of his colours, and their lively opposition to each other, the flowing...his outline, the animated pencil with which every objs.ft is" touched, all contribute to awaken ai»J keep alive the attention of the fpectaror ; awaken... | |
 | English literature - 1798 - 484 pages
...fpirit in the execution of the work. The ftriking brilliancy of his colours, and their lively oppoiition to each other, the flowing liberty and freedom of his outline, the animated pencil with which evci-y obj.-cl is touched, all contribute to awaken and keep alive the attention of the fpeflator ;... | |
 | 1798 - 756 pages
...execution of the work. The ftriking brilliancy of his colours, and their lively oppofition to each ether, the flowing liberty -and freedom of his outline, the animated pencil with which every objeft is touched, all contribute to awaken and keep alive the attention of the f peculator . awaken... | |
 | English literature - 1798 - 752 pages
...fpirit in the execution of the work. The linking brilliancy of his colours, and their lively oppofition to each other, the flowing liberty and freedom of his outline, the animated pencil pencil with which every objecl: is touched, all contribute to awaken and keep alive-the attention of... | |
 | History - 1800 - 812 pages
...always a correfpondentfpirit in the execution of the work. The ftriking, brilliancy of his colours, and their lively opposition to each other, the flowing...his outline, the animated pencil with which every objeft is touched, all contribute to awaken and keep alive the attention of the Spectator i awaken... | |
 | sir Joshua Reynolds - 1801 - 450 pages
...always a correspondent spirit in the execution of the work. The striking brilliancy of his colours, and their lively opposition to each other, the flowing...attention of the spectator; awaken in him, in some mea6 sure, .correspondent sensations, and C«*IJ!Cmake him feel a degree of that enthusiasm with which... | |
 | Sir Joshua Reynolds, Edmond Malone - Art - 1801 - 452 pages
...always a correspondent spirit in the execution of the work. The striking brilliancy of his colours, and their lively opposition to each other, the flowing...attention of the spectator;, awaken in him, in some mea6 sure, correspondent sensations, and ^*"*^" make him feel a degree of that enthusiasm with which... | |
 | History - 1807 - 800 pages
...execution of the work. The llriking brilliancy of his colours, and their lively oppoiition to each ether, the flowing liberty and freedom of his outline, the...contribute to awaken and keep alive the attention of the fpectator ; awaken in him, in fome menfure, correspondent fenfations, and make him feel a degree of... | |
 | Biography - 1807 - 454 pages
...notice,and enforce admiration in spite of all their faults. The striking' brilliancy of his colours, and their lively opposition to each other ; the flowing...animated pencil with which every object is touched, keep alive the attention of the spectator ; awaken in him, in some measure, correspondent sensations,... | |
 | Biography - 1816 - 536 pages
...always a correspondent spirit in the execution of the work. The striking brilliancy of his colours, and their lively opposition to each other, the flowing...correspondent sensations, and make him feel a degree pf that enthusiasm with which the painter was carried away. To this we add the complete uniformity... | |
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... a correspondent spirit in the execution of the work. The striking brilliancy of his colours, and their lively opposition to each other ; the flowing liberty and freedom of his outline ; the animated pencil with which every object is touched, — all... 
