The American Travellers' Guides: Hand-books for Travellers in Europe and the East, Being a Guide Through Great Britain and Ireland, France, Belgium, Holland, Germany, Austria, Italy, Egypt, Syria, Turkey, Greece, Switzerland, Tyrol, Denmark, Norway, Sweden, Russia, Spain, and Portugal, Volume 13, Part 1 |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
American ancient arrive bank Baths beautiful Boulevard Bridge Brindisi building built called castle Cathedral celebrated century chapel Charles church contains court cross daily distance Duke England English erected establishment Europe fare feet fine finest five formerly founded four France French gallery garden Grand half Hall height Henry Hotel importance inhabitants interest island Italy King Lake land leave London Lord Louis magnificent manufactures miles monument Museum Napoleon nearly numerous occupied paintings palace Paris Park pass persons population present Prince principal Proprietor Queen Railway remains residence River road rooms Route Royal ruins Saint seen side situated Square stands Station statue steamer Street theatre tion tower town traveler walls wines York
Popular passages
Page 70 - Where, as to shame the temples deck'd By skill of earthly architect, Nature herself, it seem'd, would raise A Minster to her Maker's praise ! Not for a meaner use ascend Her columns, or her arches bend ; Nor of a theme less solemn tells That mighty surge that ebbs and swells, And still, between each awful pause, From the high vault an answer draws, In varied tone prolonged and high, That mocks the organ's melody.
Page 321 - I consider as one of the finest figures that ever was invented : it is most correctly drawn, and I apprehend in an attitude of the utmost difficulty to execute. The hanging of the head on his shoulder, and the falling of the body on one side, gives such an appearance of the heaviness of death, that nothing can exceed it.
Page 92 - All hail, great master! grave sir, hail ! I come To answer thy best pleasure ; be't to fly, To swim, to dive into the fire, to ride On the curl'd clouds ; to thy strong bidding, task Ariel, and all his quality.
Page 114 - The sea-kings' daughter as happy as fair, Blissful bride of a blissful heir, Bride of the heir of the kings of the sea — O joy to the people and joy to the throne, Come to us, love us and make us your own : For Saxon or Dane or Norman we, Teuton or Celt, or whatever we be, We are each all Dane in our welcome of thee, Alexandra! A WELCOME TO HER ROYAL HIGHNESS MARIE ALEXANDROVNA DUCHESS OF EDINBURGH MARCH 7, 1874 I THE Son of him with whom we strove for power — Whose will is lord thro...
Page 13 - I, ~, do solemnly swear [or affirm] that I will support, protect, and defend the Constitution and Government of the United States...
Page 114 - SEA-KINGS' daughter from over the sea, Alexandra ! Saxon and Norman and Dane are we, But all of us Danes in our welcome of thee, Alexandra ! Welcome her, thunders of fort and of fleet ! Welcome her, thundering cheer of the street ! Welcome her, all things youthful and sweet, Scatter the blossom under her feet ! Break, happy land, into earlier flowers ! Make music...
Page 313 - ... and not himself subject to the rules; to risk and to dare extraordinary attempts without a guide, abandoning himself to his own sensations, and depending upon them.
Page 314 - Veronese. This drapery is less offensive in Rubens than it would be in many other painters, as it partly contributes to that richness which is the peculiar character of his style, which we do not pretend to set forth as of the most simple and sublime kind.
Page 314 - Lorraine finished more minutely, as becomes a professor in any particular branch, yet there is such an airiness and facility in the landscapes of Rubens that a painter would as soon wish to be the author of them as those of Claude, or any other artist whatever. *' The pictures of Rubens have this effect on the spectator, that he feels himself in nowise disposed to pick out and dwell on his defects.
Page 313 - ... a correspondent spirit in the execution of the work. The striking brilliancy of his colours, and their lively opposition to each other ; the flowing liberty and freedom of his outline ; the animated pencil with which every object is touched, — all contribute to awaken and keep alive the attention of the spectator ; awaken in him, in some measure, correspondent sensations, and make him feel a degree ofthat enthusiasm with which the painter was carried away.