Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione’s Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow’s “two culture” framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Contents
Preface? | 7 |
Two Cultures | 11 |
2 Prelude | 23 |
Methodologies | 37 |
4 Polyphonic Chords Chromatic Painting and Synesthesia | 55 |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
265 | |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed art history artists brain Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture David Hockney debates defined depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean geometry example experience experimental explains Eyck's geometry Gombrich Greek Havelock Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern Museum narrative nature neural nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical Oxford painter Paul Cézanne Paul Klee perception perspective philosophical photographic physical picture pigments Plato printed projects reality relationship Rembrandt Renaissance representation Röntgen's scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century Vasari viewer virtual reality vision visual art X-ray York Zeki Zeki's