Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
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Page 5
... .................. 3. Art and Consciousness: Methodologies..................................... 7 11 23 37 4. Polyphonic Chords, Chromatic Painting and Synesthesia........ 55 5. Books, Rhetoric and Visual Art ............................
... .................. 3. Art and Consciousness: Methodologies..................................... 7 11 23 37 4. Polyphonic Chords, Chromatic Painting and Synesthesia........ 55 5. Books, Rhetoric and Visual Art ............................
Page 11
... Art and Science 1. Comparing Views of Historical and Contemporary Art William M. Ivins, Jr., the Curator of Prints at the Metropolitan Museum of Art from 1916-1930 notes in his book Prints and Visual Communication that “[i]t is amusing ...
... Art and Science 1. Comparing Views of Historical and Contemporary Art William M. Ivins, Jr., the Curator of Prints at the Metropolitan Museum of Art from 1916-1930 notes in his book Prints and Visual Communication that “[i]t is amusing ...
Page 12
... visual art has been shaped by the predominantly textual analysis we find historically, however expert, serves to emphasize that things are not always what they seem in studies of visual art, aesthetics and visual communication.2 For ...
... visual art has been shaped by the predominantly textual analysis we find historically, however expert, serves to emphasize that things are not always what they seem in studies of visual art, aesthetics and visual communication.2 For ...
Page 13
... Art historians looking at the same data might notice that some X-ray ... visual does not reveal the aura of the actual work, a pictorial ... art have fluctuated over time. 2. What is art? This brief tour, however, would hardly convey the ...
... Art historians looking at the same data might notice that some X-ray ... visual does not reveal the aura of the actual work, a pictorial ... art have fluctuated over time. 2. What is art? This brief tour, however, would hardly convey the ...
Page 14
... art focus on the product the artist produces or the process used in constructing the work? What does it mean to say ... visual art as a text and seek a handle through which we can interpret the levels of “meaning” embedded within a ...
... art focus on the product the artist produces or the process used in constructing the work? What does it mean to say ... visual art as a text and seek a handle through which we can interpret the levels of “meaning” embedded within a ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's