Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 5
... ......... 87 7. The Nineteenth Century: Painting, Photography and Vision Science ........................................................................... 109 8. The Nineteenth Century: Inside Out and Upside Down ......... 131 9 ...
... ......... 87 7. The Nineteenth Century: Painting, Photography and Vision Science ........................................................................... 109 8. The Nineteenth Century: Inside Out and Upside Down ......... 131 9 ...
Page 14
... vision? Should we distinguish art from craft or treat them as complementary? Answers to these questions are rarely definitive. Too often the complex problems intertwined within the various trajectories lead thinkers to extract certain ...
... vision? Should we distinguish art from craft or treat them as complementary? Answers to these questions are rarely definitive. Too often the complex problems intertwined within the various trajectories lead thinkers to extract certain ...
Page 20
... vision within the mind, because what is important in philosophy cannot be put into written words (Plato 1989), he wrote nonetheless. More thought provoking is the degree to which his way with words conveys a vision of Truth as ...
... vision within the mind, because what is important in philosophy cannot be put into written words (Plato 1989), he wrote nonetheless. More thought provoking is the degree to which his way with words conveys a vision of Truth as ...
Page 31
... vision of Truth is the correct one for all to adopt. The nuances of this comprise a topic far beyond the reach of this study, are addressed in Nature Exposed to Our Method of Questioning (Ione 2002). Gombrich reminds us early on that ...
... vision of Truth is the correct one for all to adopt. The nuances of this comprise a topic far beyond the reach of this study, are addressed in Nature Exposed to Our Method of Questioning (Ione 2002). Gombrich reminds us early on that ...
Page 37
... vision of ordered relationships articulated as similarity-in-difference.” (Stafford 2001: 9). Stafford relates that analogy thrived in antiquity, crested at the close of the Baroque era, (Stafford 2001: 10) and is unlike Romantic logic ...
... vision of ordered relationships articulated as similarity-in-difference.” (Stafford 2001: 9). Stafford relates that analogy thrived in antiquity, crested at the close of the Baroque era, (Stafford 2001: 10) and is unlike Romantic logic ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's