Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 73
Page 5
... ......... 87 7. The Nineteenth Century: Painting, Photography and Vision Science ........................................................................... 109 8. The Nineteenth Century: Inside Out and Upside Down ......... 131 9 ...
... ......... 87 7. The Nineteenth Century: Painting, Photography and Vision Science ........................................................................... 109 8. The Nineteenth Century: Inside Out and Upside Down ......... 131 9 ...
Page 14
... vision? Should we distinguish art from craft or treat them as complementary? Answers to these questions are rarely definitive. Too often the complex problems intertwined within the various trajectories lead thinkers to extract certain ...
... vision? Should we distinguish art from craft or treat them as complementary? Answers to these questions are rarely definitive. Too often the complex problems intertwined within the various trajectories lead thinkers to extract certain ...
Page 20
... vision within the mind, because what is important in philosophy cannot be put into written words (Plato 1989), he wrote nonetheless. More thought provoking is the degree to which his way with words conveys a vision of Truth as ...
... vision within the mind, because what is important in philosophy cannot be put into written words (Plato 1989), he wrote nonetheless. More thought provoking is the degree to which his way with words conveys a vision of Truth as ...
Page 31
... vision of Truth is the correct one for all to adopt. The nuances of this comprise a topic far beyond the reach of this study, are addressed in Nature Exposed to Our Method of Questioning (Ione 2002). Art and the artist are considered by ...
... vision of Truth is the correct one for all to adopt. The nuances of this comprise a topic far beyond the reach of this study, are addressed in Nature Exposed to Our Method of Questioning (Ione 2002). Art and the artist are considered by ...
Page 37
... vision of ordered relationships articulated as similarity-in-difference.” (Stafford 2001: 9). Stafford relates that analogy thrived in antiquity, crested at the close of the Baroque era, (Stafford 2001: 10) and is unlike Romantic logic ...
... vision of ordered relationships articulated as similarity-in-difference.” (Stafford 2001: 9). Stafford relates that analogy thrived in antiquity, crested at the close of the Baroque era, (Stafford 2001: 10) and is unlike Romantic logic ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract active allowed appear approach areas argument artists associated body brain bring Cézanne changed cognitive color complex composition concept conclusions consciousness contemporary continue create culture debates defined demonstrate developed discussed drawings earlier early effect elements evident example experience explains Eyck figures further geometry Greek hand human ideas images important influenced innovation invention kind knowledge later light London look means method mind move nature nineteenth century noted objects offers painter painting particularly perception perspective philosophical photographic physical picture Plato possible practice present Press printed produced projects publication questions reality reflect relationship represent representation result scientific scientists seems seen sense space speak studies surface synesthesia techniques theory things thought tradition turn understanding University viewer vision visual visual art writing X-ray York