Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 42
Page 7
... traditions, which was so dominant in the scholar's interpretation. Our points of divergence were pronounced. Of greater concern to me personally was his inability to conceptualize that my point of view had any validity in the scheme of ...
... traditions, which was so dominant in the scholar's interpretation. Our points of divergence were pronounced. Of greater concern to me personally was his inability to conceptualize that my point of view had any validity in the scheme of ...
Page 9
... traditions even into the twenty - first century . Of greater importance within the earlier study was the way a culture's assumptions of particular Truths was so effectively integrated within each culture's framework . Basic assumptions ...
... traditions even into the twenty - first century . Of greater importance within the earlier study was the way a culture's assumptions of particular Truths was so effectively integrated within each culture's framework . Basic assumptions ...
Page 10
... traditions only because these are so often paired with the West . Yet , even within this narrow framework , it was possible to show that the premises of each of the Eastern cultures varied as significantly from one another as they do ...
... traditions only because these are so often paired with the West . Yet , even within this narrow framework , it was possible to show that the premises of each of the Eastern cultures varied as significantly from one another as they do ...
Page 18
... tradition simultaneously was active within this context, explaining that craft was never put aside once art gained entry into the “liberal arts.” As she explains: recently begun a more intensive examination of workshop practices. (Smith.
... tradition simultaneously was active within this context, explaining that craft was never put aside once art gained entry into the “liberal arts.” As she explains: recently begun a more intensive examination of workshop practices. (Smith.
Page 19
... tradition is that it consists of a series of footnotes to Plato.” (Whitehead 1929/1979: 39). Many of these footnotes endeavor to reconcile Platonic paradoxes. To oversimplify, we still debate Plato's definition of knowledge, his views ...
... tradition is that it consists of a series of footnotes to Plato.” (Whitehead 1929/1979: 39). Many of these footnotes endeavor to reconcile Platonic paradoxes. To oversimplify, we still debate Plato's definition of knowledge, his views ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's