Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 73
Page 5
... Past: Conservation and Restoration Studies....... 217 13. Conclusion: Entering the Twenty-first century ....................... 229 Notes on Chapter Title Quotes ................................................. Bibliography ..
... Past: Conservation and Restoration Studies....... 217 13. Conclusion: Entering the Twenty-first century ....................... 229 Notes on Chapter Title Quotes ................................................. Bibliography ..
Page 9
... Studies . It served as both a cross - cultural analysis and a dissection of some of the theories that juxtapose Eastern and Western thought . The book examined how we create our cultural assumptions about individual identity , culture ...
... Studies . It served as both a cross - cultural analysis and a dissection of some of the theories that juxtapose Eastern and Western thought . The book examined how we create our cultural assumptions about individual identity , culture ...
Page 11
... studies by textual sources that were likely to rest on less exposure to the actual works than many of the globe-trotting public of today. Similarly, before the nineteenth century academic education about visual art was likely to rely on ...
... studies by textual sources that were likely to rest on less exposure to the actual works than many of the globe-trotting public of today. Similarly, before the nineteenth century academic education about visual art was likely to rely on ...
Page 12
... studies of visual art, aesthetics and visual communication.2 For example, we know that in antiquity, descriptions of works of art became a highly developed literary exercise, a talent many continue to develop today. We also know that it ...
... studies of visual art, aesthetics and visual communication.2 For example, we know that in antiquity, descriptions of works of art became a highly developed literary exercise, a talent many continue to develop today. We also know that it ...
Page 14
... studies touch upon everything from aesthetics and phenomenology to pop culture, advertising, Marxism, structuralism, feminism and postmodernism? Is visual culture about the social construction of vision? Should we distinguish art from ...
... studies touch upon everything from aesthetics and phenomenology to pop culture, advertising, Marxism, structuralism, feminism and postmodernism? Is visual culture about the social construction of vision? Should we distinguish art from ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's