Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 38
... rhetorical argument has provided the foundation for art history as a discipline, so she mirrors those in her field who are more inclined to ask how to write about images than to ask how they are made or visually experienced. Essentially ...
... rhetorical argument has provided the foundation for art history as a discipline, so she mirrors those in her field who are more inclined to ask how to write about images than to ask how they are made or visually experienced. Essentially ...
Page 39
... rhetorical abyss that has historically failed to adequately address visual art. Rather than “recuperate analogy,” I would urge that we recognize the limitations within the rhetorical analogies that have informed art history and then ...
... rhetorical abyss that has historically failed to adequately address visual art. Rather than “recuperate analogy,” I would urge that we recognize the limitations within the rhetorical analogies that have informed art history and then ...
Page 41
... rhetorical tradition that exhibited a more holistic approach . Gombrich , on the other hand , acknowledges the tradition as one of many stages we can identify on the path to Modernism and beyond . Romanticism is also a tradition that ...
... rhetorical tradition that exhibited a more holistic approach . Gombrich , on the other hand , acknowledges the tradition as one of many stages we can identify on the path to Modernism and beyond . Romanticism is also a tradition that ...
Page 53
... rhetorical and theoretical thinking. We see this problem extended into present inquiry when Zeki peppers his argument with philosophical notations that reference historical views of art and aesthetics. Many of these thinkers, as noted ...
... rhetorical and theoretical thinking. We see this problem extended into present inquiry when Zeki peppers his argument with philosophical notations that reference historical views of art and aesthetics. Many of these thinkers, as noted ...
Page 54
... rhetorical thrust of Stafford's proposal suffers from the inadequacy of logical equivalence in arguing a case that sufficiently incorporates revolutionary alterations in our understanding. Both proposals foundationally underscore why I ...
... rhetorical thrust of Stafford's proposal suffers from the inadequacy of logical equivalence in arguing a case that sufficiently incorporates revolutionary alterations in our understanding. Both proposals foundationally underscore why I ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's