Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 15
... 4 Stefan Collini's recent introduction to the Canto edition of Snow's book offers an excellent summary of this relationship ( Collini 1993 ; Snow 1959 , 1964 ) . 5 William Whewell spent most of his career at Trinity Two Cultures ? 15.
... 4 Stefan Collini's recent introduction to the Canto edition of Snow's book offers an excellent summary of this relationship ( Collini 1993 ; Snow 1959 , 1964 ) . 5 William Whewell spent most of his career at Trinity Two Cultures ? 15.
Page 32
... relationship to the value he placed on a moral purpose.16 She parallels the argument that Plato had a creative mind and was in awe of artistic inspiration in the sense that he saw it as divinely inspired with his stronger assertions ...
... relationship to the value he placed on a moral purpose.16 She parallels the argument that Plato had a creative mind and was in awe of artistic inspiration in the sense that he saw it as divinely inspired with his stronger assertions ...
Page 37
... relationships articulated as similarity-in-difference.” (Stafford 2001: 9). Stafford relates that analogy thrived in antiquity, crested at the close of the Baroque era, (Stafford 2001: 10) and is unlike Romantic logic which was “erected ...
... relationships articulated as similarity-in-difference.” (Stafford 2001: 9). Stafford relates that analogy thrived in antiquity, crested at the close of the Baroque era, (Stafford 2001: 10) and is unlike Romantic logic which was “erected ...
Page 41
... relationships between the rhetoric of antiquity resurged with the Renaissance and were once again re- formed with the Romantics as well as the movements that followed them . Both Gombrich and Stafford correctly identify the fruits of ...
... relationships between the rhetoric of antiquity resurged with the Renaissance and were once again re- formed with the Romantics as well as the movements that followed them . Both Gombrich and Stafford correctly identify the fruits of ...
Page 42
... relationships between brain states and the physical world , whether we can resolve what consciousness is ( i.e. , David Chalmers “ hard 19 20 problem , " ( 1996a , 1996b , 1995c. 19 Monism is a philosophy that argues reality consists of ...
... relationships between brain states and the physical world , whether we can resolve what consciousness is ( i.e. , David Chalmers “ hard 19 20 problem , " ( 1996a , 1996b , 1995c. 19 Monism is a philosophy that argues reality consists of ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's