Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 15
... 4 Stefan Collini's recent introduction to the Canto edition of Snow's book offers an excellent summary of this relationship (Collini 1993; Snow 1959, 1964). 5 William Whewell spent most of his career at Trinity Two Cultures? 15.
... 4 Stefan Collini's recent introduction to the Canto edition of Snow's book offers an excellent summary of this relationship (Collini 1993; Snow 1959, 1964). 5 William Whewell spent most of his career at Trinity Two Cultures? 15.
Page 32
... relationship to the value he placed on a moral purpose.16 She parallels the argument that Plato had a creative mind and was in awe of artistic inspiration in the sense that he saw it as divinely inspired with his stronger assertions ...
... relationship to the value he placed on a moral purpose.16 She parallels the argument that Plato had a creative mind and was in awe of artistic inspiration in the sense that he saw it as divinely inspired with his stronger assertions ...
Page 37
... relationships articulated as similarity-in-difference.” (Stafford 2001: 9). Stafford relates that analogy thrived in antiquity, crested at the close of the Baroque era, (Stafford 2001: 10) and is unlike Romantic logic which was “erected ...
... relationships articulated as similarity-in-difference.” (Stafford 2001: 9). Stafford relates that analogy thrived in antiquity, crested at the close of the Baroque era, (Stafford 2001: 10) and is unlike Romantic logic which was “erected ...
Page 41
... relationships between the rhetoric of antiquity resurged with the Renaissance and were once again reformed with the Romantics as well as the movements that followed them. Both Gombrich and Stafford correctly identify the fruits of ...
... relationships between the rhetoric of antiquity resurged with the Renaissance and were once again reformed with the Romantics as well as the movements that followed them. Both Gombrich and Stafford correctly identify the fruits of ...
Page 42
... relationships between brain states and the physical world, whether we can resolve what consciousness is (i.e., David Chalmers “hard problem,” (1996a, 1996b, 1995c, 1996), functionalism, emergence20 (how something in. 19 Monism is a ...
... relationships between brain states and the physical world, whether we can resolve what consciousness is (i.e., David Chalmers “hard problem,” (1996a, 1996b, 1995c, 1996), functionalism, emergence20 (how something in. 19 Monism is a ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract active allowed appear approach areas argument artists associated body brain bring Cézanne changed cognitive color complex composition concept conclusions consciousness contemporary continue create culture debates defined demonstrate developed discussed drawings earlier early effect elements evident example experience explains Eyck figures further geometry Greek hand human ideas images important influenced innovation invention kind knowledge later light London look means method mind move nature nineteenth century noted objects offers painter painting particularly perception perspective philosophical photographic physical picture Plato possible practice present Press printed produced projects publication questions reality reflect relationship represent representation result scientific scientists seems seen sense space speak studies surface synesthesia techniques theory things thought tradition turn understanding University viewer vision visual visual art writing X-ray York