Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
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Page 7
... reflect my life as a professional artist as well as the circumstances that brought me to academic themes related to art and consciousness. Although many people, ideas and situations have informed who I am, it was discovering an essay by ...
... reflect my life as a professional artist as well as the circumstances that brought me to academic themes related to art and consciousness. Although many people, ideas and situations have informed who I am, it was discovering an essay by ...
Page 31
... reflects one aspect of Plato's rebellion against earlier education techniques like poetry and sophistry, as well as his concern that putting knowledge into minds that do not think does not. 15 Some say Plato saw the fire and became ...
... reflects one aspect of Plato's rebellion against earlier education techniques like poetry and sophistry, as well as his concern that putting knowledge into minds that do not think does not. 15 Some say Plato saw the fire and became ...
Page 43
... reflected within the integration . Although a topic of interest to Plato and Aristotle , the idea of a distinct discipline that could systematically deal with issues concerning art and beauty can be traced to 1735 , when Alexander 20 ...
... reflected within the integration . Although a topic of interest to Plato and Aristotle , the idea of a distinct discipline that could systematically deal with issues concerning art and beauty can be traced to 1735 , when Alexander 20 ...
Page 45
... reflect the diversity , richness and pluralism of art . Science , as a discipline , does not seek for the kind of intuitive blending that defines the fecundity and lushness of art at its best . Thus , when moving from data - driven ...
... reflect the diversity , richness and pluralism of art . Science , as a discipline , does not seek for the kind of intuitive blending that defines the fecundity and lushness of art at its best . Thus , when moving from data - driven ...
Page 61
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Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's