Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 9
... reality in various historical periods and geographic areas . The second area of exposition , the paralleling of the East and the West , established that various and often contradictory belief systems and philosophies were defined within ...
... reality in various historical periods and geographic areas . The second area of exposition , the paralleling of the East and the West , established that various and often contradictory belief systems and philosophies were defined within ...
Page 14
... reality from those intended to aid us in re- conceptualizing social concerns or subjective ways of being? How should historical ideas about art and communication be integrated with the visual saturation we take for granted today? How do ...
... reality from those intended to aid us in re- conceptualizing social concerns or subjective ways of being? How should historical ideas about art and communication be integrated with the visual saturation we take for granted today? How do ...
Page 31
... reality, with a final, almost mystical awareness of Truth. The allegory then proceeds to propose that only a person with true knowledge has the tools to govern in society, for only with a knowledge of the truth can one distinguish what ...
... reality, with a final, almost mystical awareness of Truth. The allegory then proceeds to propose that only a person with true knowledge has the tools to govern in society, for only with a knowledge of the truth can one distinguish what ...
Page 32
... reality . The actors also encouraged the people to become emotionally involved with the performance . The resulting loss of objectivity , in Plato's view , was not a comment on the artist's creative power . It was a comment on the ...
... reality . The actors also encouraged the people to become emotionally involved with the performance . The resulting loss of objectivity , in Plato's view , was not a comment on the artist's creative power . It was a comment on the ...
Page 41
... decided not to include any examples he had not seen personally . Later editions were expanded to include works he did not know first - hand . 19 Monism is a philosophy that argues reality consists of Art and Consciousness 41.
... decided not to include any examples he had not seen personally . Later editions were expanded to include works he did not know first - hand . 19 Monism is a philosophy that argues reality consists of Art and Consciousness 41.
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's