Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 7
... publications. On several occasions, I faced the daunting task of reaching to say something in words without finding ... publication, Nature Exposed to our Method of Questioning. While not actively conceived as a set, it is intriguing to ...
... publications. On several occasions, I faced the daunting task of reaching to say something in words without finding ... publication, Nature Exposed to our Method of Questioning. While not actively conceived as a set, it is intriguing to ...
Page 17
... publication of Francis Bacon's Novum Organum, which ushered in a shifting of the philosophical point of view from deductive logic to Bacon's belief in inductive logic and the urge to move toward the experimental method. The latter made ...
... publication of Francis Bacon's Novum Organum, which ushered in a shifting of the philosophical point of view from deductive logic to Bacon's belief in inductive logic and the urge to move toward the experimental method. The latter made ...
Page 23
... publication that appeared contemporaneously and similarly argued that environments are not passive wrappings but active processes . " 10 of the verbal/textual tradition, a tradition that has long placed. 1. The Homeric World Preface to ...
... publication that appeared contemporaneously and similarly argued that environments are not passive wrappings but active processes . " 10 of the verbal/textual tradition, a tradition that has long placed. 1. The Homeric World Preface to ...
Page 25
... publications , which might explain why she has never come back to address the limitations within this early study . Her later work ... publication ( Gablik 1988 ; 1987 ; 1984 ) . 15 Some say Plato saw the fire and became precisely Prelude 25.
... publications , which might explain why she has never come back to address the limitations within this early study . Her later work ... publication ( Gablik 1988 ; 1987 ; 1984 ) . 15 Some say Plato saw the fire and became precisely Prelude 25.
Page 39
... publication summarizes the years 400-1400 CE in a few paragraphs within a chapter titled “Interlude: Progress or Decline?.” Excusing himself, Gombrich explains that later historians defined this time as a period between two peaks of ...
... publication summarizes the years 400-1400 CE in a few paragraphs within a chapter titled “Interlude: Progress or Decline?.” Excusing himself, Gombrich explains that later historians defined this time as a period between two peaks of ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's