Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 11
... produced between 1800 and 1901 was probably considerably greater than the total number of printed pictures that has been produced before 1801 (Ivins 1978). reproductions and what sort of reproductions he depended on. (Ivins 1 ...
... produced between 1800 and 1901 was probably considerably greater than the total number of printed pictures that has been produced before 1801 (Ivins 1978). reproductions and what sort of reproductions he depended on. (Ivins 1 ...
Page 12
... producing a valid theory of images became a book about the fear of images” (Mitchell 1986: 3). 3 The earliest dated ... produced in Germany early in the fifteenth century. Johannes Gutenberg invented the printing press with replaceable ...
... producing a valid theory of images became a book about the fear of images” (Mitchell 1986: 3). 3 The earliest dated ... produced in Germany early in the fifteenth century. Johannes Gutenberg invented the printing press with replaceable ...
Page 14
... produces or the process used in constructing the work? What does it mean to say that some art elevates our consciousness? Is there a difference between art that stimulates subjective consciousness and works that urge social ...
... produces or the process used in constructing the work? What does it mean to say that some art elevates our consciousness? Is there a difference between art that stimulates subjective consciousness and works that urge social ...
Page 32
... produce secondary forms ) . As she tells us , a key concern Plato brought to his analysis is that when art is reduced to mimesis , artists frequently became so lost in their expressions that their work evolves without a relationship to ...
... produce secondary forms ) . As she tells us , a key concern Plato brought to his analysis is that when art is reduced to mimesis , artists frequently became so lost in their expressions that their work evolves without a relationship to ...
Page 33
... produces a product that is far removed from truth in accomplishment of its task and associates with the part in us that is remote from intelligence and is its companion and friend for no sound and true purpose Mimetic art , then , is an ...
... produces a product that is far removed from truth in accomplishment of its task and associates with the part in us that is remote from intelligence and is its companion and friend for no sound and true purpose Mimetic art , then , is an ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's