Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 9
... present at any effective centre of consciousness or action , something else is self - governed and absent and unreduced to unity . ( James 1987 : 729 , 777 ) My overriding concern in Nature Exposed was the spiritual tensions ingrained ...
... present at any effective centre of consciousness or action , something else is self - governed and absent and unreduced to unity . ( James 1987 : 729 , 777 ) My overriding concern in Nature Exposed was the spiritual tensions ingrained ...
Page 20
... present era. Fourth, when writers today celebrate the emotive, subjective and spiritual aspects of art they often ... presents a picture of the universe in which art is no longer described in terms of imitation along the lines both Plato ...
... present era. Fourth, when writers today celebrate the emotive, subjective and spiritual aspects of art they often ... presents a picture of the universe in which art is no longer described in terms of imitation along the lines both Plato ...
Page 30
... present his Allegory of the Cave (Republic, VII: 514a-517a) as an analogy of an artistic quest for light. Yet Plato infers in the Republic and elsewhere that artists prefer mimesis to true knowledge. To be sure, the image of the Cave is ...
... present his Allegory of the Cave (Republic, VII: 514a-517a) as an analogy of an artistic quest for light. Yet Plato infers in the Republic and elsewhere that artists prefer mimesis to true knowledge. To be sure, the image of the Cave is ...
Page 38
... present? The analogical method as a metaphorics can contribute substantially to the rhetorical construction of an integrated imagistics. Such a perspectival modeling of networks or resemblance would cut across temporal and disciplinary ...
... present? The analogical method as a metaphorics can contribute substantially to the rhetorical construction of an integrated imagistics. Such a perspectival modeling of networks or resemblance would cut across temporal and disciplinary ...
Page 39
... views of other art historians, Gombrich mentions that no student of medieval art “can ignore the ever-present influence of the text of the Scriptures ” and then briefly turns to “ the rebirth Art and Consciousness 39.
... views of other art historians, Gombrich mentions that no student of medieval art “can ignore the ever-present influence of the text of the Scriptures ” and then briefly turns to “ the rebirth Art and Consciousness 39.
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's