Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 50
Page 8
... perspective and that even those educated in classics often had trouble seeing the Greek perspective because of the Christian interpretation that had been mapped onto Greek thought through translation and cultural interpretations. “On ...
... perspective and that even those educated in classics often had trouble seeing the Greek perspective because of the Christian interpretation that had been mapped onto Greek thought through translation and cultural interpretations. “On ...
Page 10
... perspective on this, albeit in terms of Western culture. As stressed by William James, more could be said and more could be written. In the future, to be sure, I hope to further integrate the Western orientation to art, science ...
... perspective on this, albeit in terms of Western culture. As stressed by William James, more could be said and more could be written. In the future, to be sure, I hope to further integrate the Western orientation to art, science ...
Page 18
... perspective, should be approached theoretically or philosophically and thus the study of theory should also be approached historically. From this he concludes that a comprehensive history of art that is based in the study of theory has ...
... perspective, should be approached theoretically or philosophically and thus the study of theory should also be approached historically. From this he concludes that a comprehensive history of art that is based in the study of theory has ...
Page 24
... perspectives, (see Bowman 1996; Halverson 1992; Ione 2002; Street 1993). 12 Havelock wrote Preface to Plato early in his career. Later he asserted that this shift began when the Greeks invented the first truly phonetic alphabet, which ...
... perspectives, (see Bowman 1996; Halverson 1992; Ione 2002; Street 1993). 12 Havelock wrote Preface to Plato early in his career. Later he asserted that this shift began when the Greeks invented the first truly phonetic alphabet, which ...
Page 25
... perspective the active, embodied, cognitive and intuitive process offers examples that in turn provide an apt metaphor for how innovation and visualization operate in tandem.13 More specifically, the Homeric epics overall, albeit ...
... perspective the active, embodied, cognitive and intuitive process offers examples that in turn provide an apt metaphor for how innovation and visualization operate in tandem.13 More specifically, the Homeric epics overall, albeit ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract active allowed appear approach areas argument artists associated body brain bring Cézanne changed cognitive color complex composition concept conclusions consciousness contemporary continue create culture debates defined demonstrate developed discussed drawings earlier early effect elements evident example experience explains Eyck figures further geometry Greek hand human ideas images important influenced innovation invention kind knowledge later light London look means method mind move nature nineteenth century noted objects offers painter painting particularly perception perspective philosophical photographic physical picture Plato possible practice present Press printed produced projects publication questions reality reflect relationship represent representation result scientific scientists seems seen sense space speak studies surface synesthesia techniques theory things thought tradition turn understanding University viewer vision visual visual art writing X-ray York