Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 69
Page 5
... Perception, Visual Art and the Brain ....................................... 197 12. Viewing the Past: Conservation and Restoration Studies....... 217 13. Conclusion: Entering the Twenty-first century ....................... 229 Notes ...
... Perception, Visual Art and the Brain ....................................... 197 12. Viewing the Past: Conservation and Restoration Studies....... 217 13. Conclusion: Entering the Twenty-first century ....................... 229 Notes ...
Page 9
... perceptions of reality in various historical periods and geographic areas . The second area of exposition , the paralleling of the East and the West , established that various and often contradictory belief systems and philosophies were ...
... perceptions of reality in various historical periods and geographic areas . The second area of exposition , the paralleling of the East and the West , established that various and often contradictory belief systems and philosophies were ...
Page 12
... perceptions of historical times are now more visual due to who we are. Many of us have now seen monuments of other cultures and reproductions depicting life in other times. Learning from these artifacts, rather than textual accounts of ...
... perceptions of historical times are now more visual due to who we are. Many of us have now seen monuments of other cultures and reproductions depicting life in other times. Learning from these artifacts, rather than textual accounts of ...
Page 24
... perceive how the Greeks conceptualized the difference between using the mind to retain information and the complexity of abstracting larger ideas . More importantly , this distinction conveys what. Greek alphabet. In recent years, the ...
... perceive how the Greeks conceptualized the difference between using the mind to retain information and the complexity of abstracting larger ideas . More importantly , this distinction conveys what. Greek alphabet. In recent years, the ...
Page 25
... perceive ideas outside of their learned belief system through a non - linear process of seeking for something outside of their conceptual grasp . Propelled by a passion for formulating probing questions , those involved developed an ...
... perceive ideas outside of their learned belief system through a non - linear process of seeking for something outside of their conceptual grasp . Propelled by a passion for formulating probing questions , those involved developed an ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's