Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
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Page 5
... .......... 7 11 23 37 4. Polyphonic Chords, Chromatic Painting and Synesthesia........ 55 5. Books, Rhetoric and Visual Art ................................................. 75 6. Theory: Innovation: Practice .......................
... .......... 7 11 23 37 4. Polyphonic Chords, Chromatic Painting and Synesthesia........ 55 5. Books, Rhetoric and Visual Art ................................................. 75 6. Theory: Innovation: Practice .......................
Page 13
... painted surface, exposing the underdrawings that masters used to plan and prepare their paintings. Studying their markings would allow her to establish where an historical painter changed his or her mind and how a virtuoso used layers ...
... painted surface, exposing the underdrawings that masters used to plan and prepare their paintings. Studying their markings would allow her to establish where an historical painter changed his or her mind and how a virtuoso used layers ...
Page 40
... painting per se . It is difficult to say for what reason the very things that move our senses most to pleasures and ... paintings maintains their hold on us . ( in Gombrich 2001 : 27 ) . Cicero's real concern here is the art of oratory ...
... painting per se . It is difficult to say for what reason the very things that move our senses most to pleasures and ... paintings maintains their hold on us . ( in Gombrich 2001 : 27 ) . Cicero's real concern here is the art of oratory ...
Page 52
... paint is unusually spontaneous and the picture appears unfinished in some parts . This is most evident in the shadow at the hem of the raised chemise , the right arm and the left shoulder . This painting's earthy sensitivity , its ...
... paint is unusually spontaneous and the picture appears unfinished in some parts . This is most evident in the shadow at the hem of the raised chemise , the right arm and the left shoulder . This painting's earthy sensitivity , its ...
Page 55
Trajectories, Strategies, and Myths Amy Ione. Chapter 4 Polyphonic Chords, Chromatic Painting and Synesthesia In the cinema, feedback is possible almost exclusively in what I call the synesthetic mode ... Painting and Synesthesia.
Trajectories, Strategies, and Myths Amy Ione. Chapter 4 Polyphonic Chords, Chromatic Painting and Synesthesia In the cinema, feedback is possible almost exclusively in what I call the synesthetic mode ... Painting and Synesthesia.
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's