Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 5
... Nineteenth Century: Painting, Photography and Vision Science ... Nineteenth Century: Inside Out and Upside Down ......... 131 9. Working Space Revisited: Painting ......................................... 155 10. Working Space Revisited ...
... Nineteenth Century: Painting, Photography and Vision Science ... Nineteenth Century: Inside Out and Upside Down ......... 131 9. Working Space Revisited: Painting ......................................... 155 10. Working Space Revisited ...
Page 11
... nineteenth century academic education about visual art was likely to rely on textual description more than actual engagement with the objects studied, although in some cases casts or a print depicting an original painting might be ...
... nineteenth century academic education about visual art was likely to rely on textual description more than actual engagement with the objects studied, although in some cases casts or a print depicting an original painting might be ...
Page 15
... nineteenth century British intellectual history . Briefly , throughout the Middle Ages and Renaissance the interpretation of nature was generally regarded as but one element in the all - embracing enterprise of “ philosophy . ” Only in ...
... nineteenth century British intellectual history . Briefly , throughout the Middle Ages and Renaissance the interpretation of nature was generally regarded as but one element in the all - embracing enterprise of “ philosophy . ” Only in ...
Page 16
... nineteenth centuries, that we can begin to see the beginning of a fissure in ... century, when many felt there was an increasing need to replace the term ... nineteenth century compilers recognized that no example of science in the narrow ...
... nineteenth centuries, that we can begin to see the beginning of a fissure in ... century, when many felt there was an increasing need to replace the term ... nineteenth century compilers recognized that no example of science in the narrow ...
Page 39
... century [the nineteenth century], where we find the standards of the Academy and the Salon were undermined and annihilated by primitivist modes (Gombrich 2001: 35). Citing Alois Riegl's (1858-1905) urge to refrain from value judgments ...
... century [the nineteenth century], where we find the standards of the Academy and the Salon were undermined and annihilated by primitivist modes (Gombrich 2001: 35). Citing Alois Riegl's (1858-1905) urge to refrain from value judgments ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's