Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 7
... Method of Questioning. While not actively conceived as a set, it is intriguing to see that Innovation and Strategies is precisely the right sequel to Nature Exposed. Indeed as a pair they illustrate how our research interests develop in ...
... Method of Questioning. While not actively conceived as a set, it is intriguing to see that Innovation and Strategies is precisely the right sequel to Nature Exposed. Indeed as a pair they illustrate how our research interests develop in ...
Page 15
... methods employed by the “ natural philosophers ” ( as they were still termed ) enjoyed a special cultural authority ... method ” generally associated with Newtonian science . Essentially, it is from the Romantic period, at the end. 4 ...
... methods employed by the “ natural philosophers ” ( as they were still termed ) enjoyed a special cultural authority ... method ” generally associated with Newtonian science . Essentially, it is from the Romantic period, at the end. 4 ...
Page 16
... method of the natural sciences.7 The question often raised is why do people assume the term scientist has a longer history. Much of the confusion about this history can be teased out. One identifiable factor is that the adjective ...
... method of the natural sciences.7 The question often raised is why do people assume the term scientist has a longer history. Much of the confusion about this history can be teased out. One identifiable factor is that the adjective ...
Page 17
... method. The latter made it possible to discover and understand new facts about the world. Bacon's view is best summed up in Novum Organum. Aphorism 1.95, which reads: Those who have written about the sciences are either empiricists or ...
... method. The latter made it possible to discover and understand new facts about the world. Bacon's view is best summed up in Novum Organum. Aphorism 1.95, which reads: Those who have written about the sciences are either empiricists or ...
Page 21
... Method of Questioning (Ione 2002). Suffice to say, many of the seeds of our views today are linked to the way Platonic ideas influenced later thought. Plato disliked art because of how it was used to educate the community and mold ...
... Method of Questioning (Ione 2002). Suffice to say, many of the seeds of our views today are linked to the way Platonic ideas influenced later thought. Plato disliked art because of how it was used to educate the community and mold ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's