Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 40
Page 13
... look beneath the surface appearance of these objects to mortars, pestles and ground pigments highlight the tantalizing ways in which the technologies of old now meet those of today. Spending time in one of these labs an artist might be ...
... look beneath the surface appearance of these objects to mortars, pestles and ground pigments highlight the tantalizing ways in which the technologies of old now meet those of today. Spending time in one of these labs an artist might be ...
Page 23
... looks at the roots 9 McLuhan defines this as follows : “ The medium is the message . This is merely to say that the personal and social consequences of any medium — that is , of any extension of ourselves result from the new scale that ...
... looks at the roots 9 McLuhan defines this as follows : “ The medium is the message . This is merely to say that the personal and social consequences of any medium — that is , of any extension of ourselves result from the new scale that ...
Page 37
... look primarily to text-based fields, rather than the imaging arts, for insight on how cognition actually works? ... What light might a humanities-based imagist shed on the binding problem perplexing analytical philosophers, cognitive ...
... look primarily to text-based fields, rather than the imaging arts, for insight on how cognition actually works? ... What light might a humanities-based imagist shed on the binding problem perplexing analytical philosophers, cognitive ...
Page 39
... look beyond them. Doing so requires a systemic analysis in all eras of history. While the enormity of this task is far more than one book can attempt, some thoughts that reach in that direction are surely worth presenting. 2. Analogy ...
... look beyond them. Doing so requires a systemic analysis in all eras of history. While the enormity of this task is far more than one book can attempt, some thoughts that reach in that direction are surely worth presenting. 2. Analogy ...
Page 44
... looks behind theories such as those proposed by Clive Bell, R. G. Collingwood and Wittgenstein in an effort to illuminate the representation perplexing and problems emotion) .in. Although art (such as the artist's intention, Warburton ...
... looks behind theories such as those proposed by Clive Bell, R. G. Collingwood and Wittgenstein in an effort to illuminate the representation perplexing and problems emotion) .in. Although art (such as the artist's intention, Warburton ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's