Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 44
Page 7
... important is the communication and clarification of ones cherished ideas. Some time before the essay surfaced in an anthology that I was reading, I had disagreed with a scholar (who specialized in subjects related to art and ...
... important is the communication and clarification of ones cherished ideas. Some time before the essay surfaced in an anthology that I was reading, I had disagreed with a scholar (who specialized in subjects related to art and ...
Page 9
... importance within the earlier study was the way a culture's assumptions of particular Truths was so effectively integrated within each culture's framework . Basic assumptions were often held to have “ always been there ” although we can ...
... importance within the earlier study was the way a culture's assumptions of particular Truths was so effectively integrated within each culture's framework . Basic assumptions were often held to have “ always been there ” although we can ...
Page 18
... important, but reach a quite different conclusion. I would argue that the philosophical and theoretical emphasis has had a negative impact on our understanding of the embodied cognition of visual artists. 1. The Homeric World Preface to ...
... important, but reach a quite different conclusion. I would argue that the philosophical and theoretical emphasis has had a negative impact on our understanding of the embodied cognition of visual artists. 1. The Homeric World Preface to ...
Page 20
... important in philosophy cannot be put into written words (Plato 1989), he wrote nonetheless. More thought provoking is the degree to which his way with words conveys a vision of Truth as intoxicating as those presented by the poets he ...
... important in philosophy cannot be put into written words (Plato 1989), he wrote nonetheless. More thought provoking is the degree to which his way with words conveys a vision of Truth as intoxicating as those presented by the poets he ...
Page 21
... important than the idea in the artist's mind. This view, so interwoven with ideas about mysticism and spirituality, often confuses issues specific to art, as I discuss in detail in Nature Exposed to Our Method of Questioning (Ione 2002) ...
... important than the idea in the artist's mind. This view, so interwoven with ideas about mysticism and spirituality, often confuses issues specific to art, as I discuss in detail in Nature Exposed to Our Method of Questioning (Ione 2002) ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's