Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
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Page 30
... Illusion Plato's mind and ideas build on this foundation, while detouring from it. Moreover, as stated in the first chapter, Platonic ideas have dramatically influenced the discourse surrounding views of art and particularly visual art ...
... Illusion Plato's mind and ideas build on this foundation, while detouring from it. Moreover, as stated in the first chapter, Platonic ideas have dramatically influenced the discourse surrounding views of art and particularly visual art ...
Page 31
... illusion, finds his way to the fire at the back of the Cave responsible for projecting the shadows and finally to ... illusions that are like the shadows of the fire within the Cave. He fears their ability to create these convincing ...
... illusion, finds his way to the fire at the back of the Cave responsible for projecting the shadows and finally to ... illusions that are like the shadows of the fire within the Cave. He fears their ability to create these convincing ...
Page 32
... illusion ; in terms of the Cave myth this is the condition of Robert Williams also offers a nice summary on Plato's problematic relationship with art , see Art Theory : An Historical Introduction ( Williams 2004 ) . the prisoners who ...
... illusion ; in terms of the Cave myth this is the condition of Robert Williams also offers a nice summary on Plato's problematic relationship with art , see Art Theory : An Historical Introduction ( Williams 2004 ) . the prisoners who ...
Page 101
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Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's