Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 9
... experience and ' mine , ' which ' as such ' are defined as not conscious of each other , can nevertheless at the same time be members of a world experience defined expressly as having all its parts co - conscious , or known together ...
... experience and ' mine , ' which ' as such ' are defined as not conscious of each other , can nevertheless at the same time be members of a world experience defined expressly as having all its parts co - conscious , or known together ...
Page 11
... experience that we have torn out of context for purposes of clearer understanding. H. Stuart Hughes, History as an Art and Science 1. Comparing Views of Historical and Contemporary Art William M. Ivins, Jr., the Curator of Prints at the ...
... experience that we have torn out of context for purposes of clearer understanding. H. Stuart Hughes, History as an Art and Science 1. Comparing Views of Historical and Contemporary Art William M. Ivins, Jr., the Curator of Prints at the ...
Page 14
... experience? Is it the visceral quality of a visual work that makes it art? Is art that viscerally excites us comparable to that which we need to deconstruct for full understanding? How do we best balance the consciousness of image ...
... experience? Is it the visceral quality of a visual work that makes it art? Is art that viscerally excites us comparable to that which we need to deconstruct for full understanding? How do we best balance the consciousness of image ...
Page 18
... experienced in the craft practices commended by Cennino Cennini in his Craftsman's Handbook. They had little time or inclination to engage with ideas that circulated in the world beyond the confines of their workshops . . . I argued (I ...
... experienced in the craft practices commended by Cennino Cennini in his Craftsman's Handbook. They had little time or inclination to engage with ideas that circulated in the world beyond the confines of their workshops . . . I argued (I ...
Page 21
... experience that we have torn out of context for purposes of clearer understanding. To paraphrase Hughes, I shall not tarry over the multifold meanings of the word “meaning” and burden the argument with an intolerable layer of semantic ...
... experience that we have torn out of context for purposes of clearer understanding. To paraphrase Hughes, I shall not tarry over the multifold meanings of the word “meaning” and burden the argument with an intolerable layer of semantic ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's