Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 76
Page 12
... early in the twentieth century. Within an art conservation laboratory of the early twenty-first century,. 2 W.J. T. Mitchell, in his book Iconology: Image, Text, Ideology, offers an interesting parallel to this. His attempt to excavate ...
... early in the twentieth century. Within an art conservation laboratory of the early twenty-first century,. 2 W.J. T. Mitchell, in his book Iconology: Image, Text, Ideology, offers an interesting parallel to this. His attempt to excavate ...
Page 13
... early twenty-first century, for example, trained practitioners preserve artifacts that might range from paintings and woodcuts to photographs and projects constructed using pixels or video. Efforts to maintain these products, our human ...
... early twenty-first century, for example, trained practitioners preserve artifacts that might range from paintings and woodcuts to photographs and projects constructed using pixels or video. Efforts to maintain these products, our human ...
Page 16
... early nineteenth century, when many felt there was an increasing need to replace the term natural philosopher with one that would acknowledge the emerging distinction between the lofty goals of philosophy and the experimental method of ...
... early nineteenth century, when many felt there was an increasing need to replace the term natural philosopher with one that would acknowledge the emerging distinction between the lofty goals of philosophy and the experimental method of ...
Page 17
... early resistance to the word, few reject it. To the contrary, the community (including the scientific community) has become quite comfortable with the esteem associated with the title. The idea of the “scientist” as an analogy to the ...
... early resistance to the word, few reject it. To the contrary, the community (including the scientific community) has become quite comfortable with the esteem associated with the title. The idea of the “scientist” as an analogy to the ...
Page 18
... early Renaissance painters and sculptors were essentially artisans with few ideas. She now recognizes that they engaged with intellectual activities as well. Early on in my academic career I tended to encourage in my students the view ...
... early Renaissance painters and sculptors were essentially artisans with few ideas. She now recognizes that they engaged with intellectual activities as well. Early on in my academic career I tended to encourage in my students the view ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's