Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 16
... debate that was a culmination of these various transitions was initiated after the Cambridge professor William Whewell ... debates. Richard Yeo's Defining Science: William Whewell, Natural Knowledge and Public Debate in Early Victorian ...
... debate that was a culmination of these various transitions was initiated after the Cambridge professor William Whewell ... debates. Richard Yeo's Defining Science: William Whewell, Natural Knowledge and Public Debate in Early Victorian ...
Page 19
... debate Plato's definition of knowledge, his views on art and how (if) our lives relate to the eternal (which he defined as a timeless domain separate from the world of change that holds our lives). Thinkers have offered complex ...
... debate Plato's definition of knowledge, his views on art and how (if) our lives relate to the eternal (which he defined as a timeless domain separate from the world of change that holds our lives). Thinkers have offered complex ...
Page 34
... debates that segregate either practice or theory invariably fail to recognize the important connections among the brain, the body and the environment that are involved with the production and appreciation of art. Suffice to say, it is ...
... debates that segregate either practice or theory invariably fail to recognize the important connections among the brain, the body and the environment that are involved with the production and appreciation of art. Suffice to say, it is ...
Page 41
... debates . The most pronounced influence is the way its many theoretical constructions incline toward the Neoplatonic ideas that resurfaced at this time . Briefly , many in the arts aspired to a spiritual wholeness that , at this time ...
... debates . The most pronounced influence is the way its many theoretical constructions incline toward the Neoplatonic ideas that resurfaced at this time . Briefly , many in the arts aspired to a spiritual wholeness that , at this time ...
Page 43
... debates about whether first - person , second - person , or third - person accounts work best in framing the issues . Most noticeable is that when neuroscientific literature is added to the theoretical mix , hypotheses include more ...
... debates about whether first - person , second - person , or third - person accounts work best in framing the issues . Most noticeable is that when neuroscientific literature is added to the theoretical mix , hypotheses include more ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's