Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
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Page 5
... ............... 23 3. Art and Consciousness: Methodologies..................................... 37 4. Polyphonic Chords, Chromatic Painting and Synesthesia........ 55 5. Books, Rhetoric and Visual Art .................................
... ............... 23 3. Art and Consciousness: Methodologies..................................... 37 4. Polyphonic Chords, Chromatic Painting and Synesthesia........ 55 5. Books, Rhetoric and Visual Art .................................
Page 7
... consciousness. Already my mind is conceiving an outline for one or two follow-up publications. On several occasions, I faced the daunting task of reaching to say something in words without finding language that matched the thought (or ...
... consciousness. Already my mind is conceiving an outline for one or two follow-up publications. On several occasions, I faced the daunting task of reaching to say something in words without finding language that matched the thought (or ...
Page 8
... a spiritually-grounded framework, as this art and consciousness scholar had in our discussion, seemed, at least to me, more effective in presenting tautological arguments. Was it possible that further research would open 8 Preface.
... a spiritually-grounded framework, as this art and consciousness scholar had in our discussion, seemed, at least to me, more effective in presenting tautological arguments. Was it possible that further research would open 8 Preface.
Page 9
... consciousness or action, something else is self-governed and absent and unreduced to unity. (James 1987: 729, 777) My overriding concern in Nature Exposed was the spiritual tensions ingrained in views of consciousness. That book first ...
... consciousness or action, something else is self-governed and absent and unreduced to unity. (James 1987: 729, 777) My overriding concern in Nature Exposed was the spiritual tensions ingrained in views of consciousness. That book first ...
Page 10
... consciousness had brought me to do the research behind Nature Exposed and yet art was a subject hardly mentioned within that book. Stranger still, it was the research of that book that allowed me to turn my eye to art and return to a ...
... consciousness had brought me to do the research behind Nature Exposed and yet art was a subject hardly mentioned within that book. Stranger still, it was the research of that book that allowed me to turn my eye to art and return to a ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract active allowed appear approach areas argument artists associated body brain bring Cézanne changed cognitive color complex composition concept conclusions consciousness contemporary continue create culture debates defined demonstrate developed discussed drawings earlier early effect elements evident example experience explains Eyck figures further geometry Greek hand human ideas images important influenced innovation invention kind knowledge later light London look means method mind move nature nineteenth century noted objects offers painter painting particularly perception perspective philosophical photographic physical picture Plato possible practice present Press printed produced projects publication questions reality reflect relationship represent representation result scientific scientists seems seen sense space speak studies surface synesthesia techniques theory things thought tradition turn understanding University viewer vision visual visual art writing X-ray York