Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 5
... : Conservation and Restoration Studies....... 217 13. Conclusion: Entering the Twenty-first century ....................... 229 Notes on Chapter Title Quotes ................................................. Bibliography .............
... : Conservation and Restoration Studies....... 217 13. Conclusion: Entering the Twenty-first century ....................... 229 Notes on Chapter Title Quotes ................................................. Bibliography .............
Page 14
... conclusions that result all too often highlight current fashions, ignore historical strategies outside the scope of the study and complicate the equation further. This is particularly evident in the various cross - disciplinary ...
... conclusions that result all too often highlight current fashions, ignore historical strategies outside the scope of the study and complicate the equation further. This is particularly evident in the various cross - disciplinary ...
Page 18
... conclusion. I would argue that the philosophical and theoretical emphasis has had a negative impact on our understanding of the embodied cognition of visual artists. 1. The Homeric World Preface to Plato was an excellent 18 Two Cultures?
... conclusion. I would argue that the philosophical and theoretical emphasis has had a negative impact on our understanding of the embodied cognition of visual artists. 1. The Homeric World Preface to Plato was an excellent 18 Two Cultures?
Page 23
... conclusions . " More problematic is that the book looks at the roots 9 McLuhan defines this as follows : “ The medium is the message . This is merely to say that the personal and social consequences of any medium — that is , of any ...
... conclusions . " More problematic is that the book looks at the roots 9 McLuhan defines this as follows : “ The medium is the message . This is merely to say that the personal and social consequences of any medium — that is , of any ...
Page 34
... Conclusion This précis of often ignored history is introduced here to aid the reader in seeing the foundation of the trajectory that led to the elevation of the textual and literary ideas that now influence discourse about forms of art ...
... Conclusion This précis of often ignored history is introduced here to aid the reader in seeing the foundation of the trajectory that led to the elevation of the textual and literary ideas that now influence discourse about forms of art ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's