Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 72
Page 5
... Brain ....................................... 197 12. Viewing the Past: Conservation and Restoration Studies....... 217 13. Conclusion: Entering the Twenty-first century ....................... 229 Notes on Chapter Title Quotes ..
... Brain ....................................... 197 12. Viewing the Past: Conservation and Restoration Studies....... 217 13. Conclusion: Entering the Twenty-first century ....................... 229 Notes on Chapter Title Quotes ..
Page 19
... brain processes now allows us to evaluate earlier hypotheses with more data. We can distinguish the specialist from the novice and, in doing so, separate expert and abnormal deviations from one another as well as from the norm. All of ...
... brain processes now allows us to evaluate earlier hypotheses with more data. We can distinguish the specialist from the novice and, in doing so, separate expert and abnormal deviations from one another as well as from the norm. All of ...
Page 34
... brain, the body and the environment that are involved with the production and appreciation of art. Suffice to say, it is important we not lose sight of these connections. To do so is to trivialize the complex factors in play when ...
... brain, the body and the environment that are involved with the production and appreciation of art. Suffice to say, it is important we not lose sight of these connections. To do so is to trivialize the complex factors in play when ...
Page 37
... brain to human awareness, not multidisciplinary enough? Why does it look primarily to text-based fields, rather than the imaging arts, for insight on how cognition actually works? ... What light might a humanities-based imagist shed on ...
... brain to human awareness, not multidisciplinary enough? Why does it look primarily to text-based fields, rather than the imaging arts, for insight on how cognition actually works? ... What light might a humanities-based imagist shed on ...
Page 42
... brain states and the physical world , whether we can resolve what consciousness is ( i.e. , David Chalmers “ hard 19 20 problem , " ( 1996a , 1996b , 1995c. 19 Monism is a philosophy that argues reality consists of a single or unified ...
... brain states and the physical world , whether we can resolve what consciousness is ( i.e. , David Chalmers “ hard 19 20 problem , " ( 1996a , 1996b , 1995c. 19 Monism is a philosophy that argues reality consists of a single or unified ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's