Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
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Page 14
... approach and one greatly encouraged within the academy, I would argue that the narrowly constructed conclusions that result all too often highlight current fashions, ignore historical strategies outside the scope of the study and ...
... approach and one greatly encouraged within the academy, I would argue that the narrowly constructed conclusions that result all too often highlight current fashions, ignore historical strategies outside the scope of the study and ...
Page 21
... approach well stated by H. Stuart Hughes in his book History as an Art and Science (Hughes 1964). Here he argues that historians are by nature wary of precise definitions. They hate being confined within tight terminological boundaries ...
... approach well stated by H. Stuart Hughes in his book History as an Art and Science (Hughes 1964). Here he argues that historians are by nature wary of precise definitions. They hate being confined within tight terminological boundaries ...
Page 25
... approach can add novel ideas and innovations to the environment. From this perspective the active, embodied, cognitive and intuitive process offers examples that in turn provide an apt metaphor for how innovation and visualization ...
... approach can add novel ideas and innovations to the environment. From this perspective the active, embodied, cognitive and intuitive process offers examples that in turn provide an apt metaphor for how innovation and visualization ...
Page 34
... approach as a model when developing a sense of experiment. Unlike professors (and students) who obtained their knowledge of nature through reading texts, the artists (then artisans), studied through their bodies, their labor and a hands ...
... approach as a model when developing a sense of experiment. Unlike professors (and students) who obtained their knowledge of nature through reading texts, the artists (then artisans), studied through their bodies, their labor and a hands ...
Page 38
... approach to Consciousness Studies (in Visual Analogy) through proposing we incorporate its narrative imagery. [T]his current malaise, I think, is less about the refrain “What method do we write in?” and more about the bedrock problem of ...
... approach to Consciousness Studies (in Visual Analogy) through proposing we incorporate its narrative imagery. [T]his current malaise, I think, is less about the refrain “What method do we write in?” and more about the bedrock problem of ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract active allowed appear approach areas argument artists associated body brain bring Cézanne changed cognitive color complex composition concept conclusions consciousness contemporary continue create culture debates defined demonstrate developed discussed drawings earlier early effect elements evident example experience explains Eyck figures further geometry Greek hand human ideas images important influenced innovation invention kind knowledge later light London look means method mind move nature nineteenth century noted objects offers painter painting particularly perception perspective philosophical photographic physical picture Plato possible practice present Press printed produced projects publication questions reality reflect relationship represent representation result scientific scientists seems seen sense space speak studies surface synesthesia techniques theory things thought tradition turn understanding University viewer vision visual visual art writing X-ray York