Innovation and Visualization: Trajectories, Strategies, and MythsAmy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist. |
From inside the book
Results 1-5 of 30
Page 16
... appears to date to about 1600. At this point it was synonymous with knowledge and referred to demonstrable knowledge (as compared with intuitive knowledge), which was aligned with natural philosophy. We. 5 William Whewell spent most of ...
... appears to date to about 1600. At this point it was synonymous with knowledge and referred to demonstrable knowledge (as compared with intuitive knowledge), which was aligned with natural philosophy. We. 5 William Whewell spent most of ...
Page 27
... appears in many cultures in support of metaphysical ideas about communal connectivity . Looking closely it becomes clear that what the metaphor means differs from culture to culture and from period to period . While beyond the scope of ...
... appears in many cultures in support of metaphysical ideas about communal connectivity . Looking closely it becomes clear that what the metaphor means differs from culture to culture and from period to period . While beyond the scope of ...
Page 40
... appear more sincere , an orator can as well . Yet , in either case , the artist's ability to pull off his trickery may in fact rest on a foundation our first impression does not perceive . More to the point , as Gombrich goes on to ...
... appear more sincere , an orator can as well . Yet , in either case , the artist's ability to pull off his trickery may in fact rest on a foundation our first impression does not perceive . More to the point , as Gombrich goes on to ...
Page 42
... appears to encompass the entire universe , dividing the consciousness domain into personal , objective and communal concerns , stating : ( a ) the quality or state of being aware especially of something within oneself ; ( b ) the state ...
... appears to encompass the entire universe , dividing the consciousness domain into personal , objective and communal concerns , stating : ( a ) the quality or state of being aware especially of something within oneself ; ( b ) the state ...
Page 52
... appears unfinished in some parts . This is most evident in the shadow at the hem of the raised chemise , the right arm and the left shoulder . This painting's earthy sensitivity , its ability to capture a personal moment and its ...
... appears unfinished in some parts . This is most evident in the shadow at the hem of the raised chemise , the right arm and the left shoulder . This painting's earthy sensitivity , its ability to capture a personal moment and its ...
Contents
7 | |
11 | |
23 | |
37 | |
55 | |
5 Books Rhetoric and Visual Art | 75 |
Innovation Practice | 87 |
Painting Photography and Vision Science | 109 |
Painting | 155 |
New Genres | 175 |
11 Perception Visual Art and the Brain | 197 |
Conservation and Restoration Studies | 217 |
Entering the Twentyfirst century | 229 |
Notes on Chapter Title Quotes | 233 |
Bibliography | 235 |
Index | 265 |
Other editions - View all
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Innovation and Visualization: Trajectories, Strategies, and Myths Amy Ione No preview available - 2005 |
Common terms and phrases
abstract aesthetic Alberti allowed argument art history artists autostereogram brain Cambridge Carleton Watkins CAVE Cézanne Cézanne's cognitive color composition concept Consciousness Studies contemporary creative Cubism culture debates defined demonstrate depict developed Divine Comedy earlier early Early Netherlandish Painting Euclidean Euclidean geometry example experience experimental explains Eyck’s Frank Stella geometry Gombrich Greek Hockney human ideas illusion images innovation invention Jan van Eyck Kandinsky Klee knowledge Leonardo light London look mathematics metaphor Michelangelo mind modalities Modern narrative nature nineteenth century non-Euclidean non-Euclidean geometry objects offers oil paint optical painter perception perspective philosophical photographic physical picture pigments Plato printed projects questions reality relationship Rembrandt Renaissance representation Röntgen’s scientific scientists sense space speak stereogram surface synesthesia synesthetes techniques theory tradition trajectory Turrell twentieth century University Press Vasari viewer virtual reality vision visual art words X-ray York Zeki Zeki's