Solo Tabla Drumming of North India: Inam Ali Khan, Keramatullah Khan, and Wajid Hussain

1st vistar 2x 2nd vistar 2x 3rd vistar 4th vistar Alla Rakha alternating apply avarta Baksh bandh bols bandh phrases bant barabar lay barhant basic phrase bayan Benares gharana chakradar chaugun dayan defined Delhi gharana derive Dha Dha Dha Dhin Dhin Dha Dhin Dhin Dhina dhrupad dimensions disciple divisions dohra drums dugun expansion Farukhabad Farukhabad gharana fingers format grng Habibuddin Hindi lit Inam k're kathak khali vibhag khalifa khula khyal kinar Kishan Maharaj kttk kuar lahara Lucknow Lucknow gharana matras modifications mohra musicians notations original composition original phrase pakhawaj palta particular performance practices peshkar placements played pre-composed previous vibhag procedure Punjab gharana qa'ida raga Rakha Ram Sahaya rela repeated Sanskrit sawai lay sequence solo tabla stroke style t'reke tali tempo tete theka tihai phrases time-cycle tintal tradition trkt ttkt tukra uthan variety vilambit vistar 2x vistar palta vistar phrases Wajid Hussain