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" She jerks her coat closer to her. I look. I do not see whatever terrible thing she is seeing on the seat between us — probably a roach. But she has communicated her horror to me. It must be something very bad from the way she's looking, so I pull my... "
Behind the Mask: Destruction and Creativity in Women’s Aggression - Page 214
by Dana Crowley Jack - 2009 - 331 pages
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The Cultural Politics of Fur

Julia Emberley - Business & Economics - 1997 - 278 pages
...something very bad from the way she's looking, so I pull my snowsuit closer to me away from it, too. When I look up the woman is still staring at me, her...between us; it is me she doesn't want her coat to touch. The fur brushes past my face as she stands with a shudder and holds on to a strap in the speeding train....
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Women's Political Voice: How Women are Transforming the Practice and Study ...

Janet A. Flammang - Feminist theory - 1997 - 446 pages
...something very bad from the way she's looking, so I pull my snowsuit closer to me away from it, too. When I look up the woman is still staring at me, her...nothing crawling up the seat between us; it is me she does not want her coat to touch. The fur brushes past my face as she stands with a shudder and holds...
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Body Matters: Feminism, Textuality, Corporeality

Avril Horner, Angela Keane - Art - 2000 - 282 pages
...something very bad from the way she's looking, so I pull my snowsuit closer to me away from it, too. When I look up the woman is still staring at me, her nose holes and eyes huge. And suddenly I realise there is nothing crawling up the seat between us; it is me she doesn't want her coat to touch....
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The First R: How Children Learn Race and Racism

Debra Van Ausdale, Joe R. Feagin - Education - 2001 - 244 pages
...something very bad from the way she's looking, so I pull my snowsuit closer to me away from it, too. When I look up the woman is still staring at me, her...between us; it is me she doesn't want her coat to touch. The fur brushes past my face as she stands with a shudder and holds on to a strap in the speeding train....
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Carnal Thoughts: Embodiment and Moving Image Culture

Vivian Sobchack - Performing Arts - 2004 - 348 pages
...something very bad from the way she's looking, so I pull my suowsuit closer to me away from it, too. When I look up the woman is still staring at me. her nose holes and eyes hnge. And suddenly I realize there is nothing crawling up the seat hetween us: it is me she doesu't...
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Carnal Thoughts: Embodiment and Moving Image Culture

Vivian Sobchack - Performing Arts - 2004 - 348 pages
...something very bad from the way she's looking, so I pull my snowsuit closer to me away from it. too. When 1 look up the woman is still staring at me, her nose holes and eyes buge. And suddenly 1 realize there is nothing crawling up the seat between us: it is me she doesn't...
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"Who wants to be normal?": normalistische Grenzgänge in US-amerikanischen ...

Martha Meni Syrou - American literature - 2007 - 226 pages
...something very bad from the way she's looking, so I pull my snowsuit closer to me away from it, too. When I look up the woman is still staring at me, her 157 nose holes and eyes huge. And suddenly I realize there is nothing crawling up the seat between...
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