Empathic Vision: Affect, Trauma, and Contemporary ArtThis book analyzes contemporary visual art produced in the context of conflict and trauma from a range of countries, including Colombia, Northern Ireland, South Africa, and Australia. It focuses on what makes visual language unique, arguing that the "affective" quality of art contributes to a new understanding of the experience of trauma and loss. By extending the concept of empathy, it also demonstrates how we might, through art, make connections with people in different parts of the world whose experiences differ from our own. The book makes a distinct contribution to trauma studies, which has tended to concentrate on literary forms of expression. It also offers a sophisticated theoretical analysis of the operations of art, drawing on philosophers such as Gilles Deleuze, but setting this within a postcolonial framework. Empathic Vision will appeal to anyone interested in the role of culture in post-September 11 global politics. |
From inside the book
Results 1-3 of 36
Page 44
... past , involution , a whole psychology of depths .... The outside is . . . the future , evolution . " 47 Memory in this account is neither that possessed by the individual , or that which resides inside ( as conventional expressionism ...
... past , involution , a whole psychology of depths .... The outside is . . . the future , evolution . " 47 Memory in this account is neither that possessed by the individual , or that which resides inside ( as conventional expressionism ...
Page 74
... past . " 8 But how does such allegorical interpretation engage us affectively ? If Soho's car journey is South ... past . This past is not located in a space from which we have departed but is figured as the environing world that shapes ...
... past . " 8 But how does such allegorical interpretation engage us affectively ? If Soho's car journey is South ... past . This past is not located in a space from which we have departed but is figured as the environing world that shapes ...
Page 160
... Past : The Flexibility of Memory and the Engraving of Trauma , ” in Trauma : Explorations in Memory , ed . Cathy Caruth ( Baltimore : Johns Hopkins University Press , 1995 ) , 160 . 5. Kolk and Hart , “ Intrusive Past , " 160. For an ...
... Past : The Flexibility of Memory and the Engraving of Trauma , ” in Trauma : Explorations in Memory , ed . Cathy Caruth ( Baltimore : Johns Hopkins University Press , 1995 ) , 160 . 5. Kolk and Hart , “ Intrusive Past , " 160. For an ...
Contents
Trauma Affect and Art | 22 |
The Force of Trauma | 46 |
Journeys into Place | 70 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
Aboriginal abuse affective argues artist artwork audience Australian bodily body Cape Town Chapter character common memory concept cultural death Delbo Deleuze Deleuze's Doris Salcedo embodied emotional empathy encounter engagement engender evokes experience feel figure film Gallery Gilles Deleuze global Gordon Bennett grief Guguletu Hartman History Holocaust Ian McLean Ibid identify imagery images inhabitation insofar Jacques Derrida Jean-Michel Basquiat Jill Bennett Johnston Kentridge's kind LaCapra language lived Long Night's Journey Mbelo mode moral narrative negotiation Notes to Basquiat notion objects pain painting particular Paul Seawright perception political postcolonial puppet Ractliffe Ractliffe's relationship representation response Routledge scene sensation sense memory shock simply Soho Soho's South African space suggests testimony tion trans Translated trauma trauma studies traumatic memory Truth and Reconciliation Truth Commission Ubu Roi University Press Veena Das victims viewer violence William Kentridge Willie Doherty witness York Younge's