Empathic Vision: Affect, Trauma, and Contemporary ArtThis book analyzes contemporary visual art produced in the context of conflict and trauma from a range of countries, including Colombia, Northern Ireland, South Africa, and Australia. It focuses on what makes visual language unique, arguing that the "affective" quality of art contributes to a new understanding of the experience of trauma and loss. By extending the concept of empathy, it also demonstrates how we might, through art, make connections with people in different parts of the world whose experiences differ from our own. The book makes a distinct contribution to trauma studies, which has tended to concentrate on literary forms of expression. It also offers a sophisticated theoretical analysis of the operations of art, drawing on philosophers such as Gilles Deleuze, but setting this within a postcolonial framework. Empathic Vision will appeal to anyone interested in the role of culture in post-September 11 global politics. |
From inside the book
Results 1-3 of 67
Page 2
... artist might lay claim to express- ing an affective truth . Insofar as they could be deemed to promote under ... artists are a breed apart from survivors or those living in war zones — not least , I think , be- cause of a perceived ...
... artist might lay claim to express- ing an affective truth . Insofar as they could be deemed to promote under ... artists are a breed apart from survivors or those living in war zones — not least , I think , be- cause of a perceived ...
Page 54
... artist's sense that she is able to allow the pain of the other to inhabit her— although the body in her work is fugitive rather than figurative , rendered present simply as an elusive trace . In quite distinct ways , then , these two ...
... artist's sense that she is able to allow the pain of the other to inhabit her— although the body in her work is fugitive rather than figurative , rendered present simply as an elusive trace . In quite distinct ways , then , these two ...
Page 63
... artist Eugenio Dittborn's airmail paintings , which present the faces and bodies of victims in an attempt to force the audience to bear witness to losses and to confront the reality of political murder . Graphic images of the bodies of ...
... artist Eugenio Dittborn's airmail paintings , which present the faces and bodies of victims in an attempt to force the audience to bear witness to losses and to confront the reality of political murder . Graphic images of the bodies of ...
Contents
Trauma Affect and Art | 22 |
The Force of Trauma | 46 |
Journeys into Place | 70 |
Copyright | |
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Common terms and phrases
Aboriginal abuse aesthetic affective argues artist artwork audience Australian bodily body Cape Town Chapter character common memory concept cultural death Delbo Deleuze Deleuze's Derrida Doris Salcedo embodied emotional empathy encounter engagement engender evokes experience feel figure film Gallery Gilles Deleuze global Gordon Bennett grief Guguletu Hartman History Holocaust Ian McLean Ibid identify imagery images inhabitation insofar Jacques Derrida Jean-Michel Basquiat Jill Bennett Johnston Kentridge's kind LaCapra language lived Long Night's Journey Mbelo mode moral narrative negotiation Notes to Basquiat notion objects pain painting particular Paul Seawright perception political postcolonial puppet Ractliffe Ractliffe's relationship representation response Routledge scene sensation sense memory shock simply Soho Soho's South African space suggests testimony tion trans Translated trauma trauma studies traumatic memory Truth and Reconciliation Truth Commission Ubu Roi University Press Veena Das victims viewer violence William Kentridge Willie Doherty witness Younge's