The Present Tense in Modern Hindi FictionThe Present Tense in Modern Hindi Fiction contributes to the interpretation of Hindi prose by analysing the use of the present tense in over 250 texts. While sketching the history of the present tense in Hindi fiction, the book focuses primarily on the narrative techniques that invite its use, such as interior monologue, free indirect discourse, consonant psycho-narration, and camera eye. Moreover, it offers a fresh interpretation of the two types of present tense found in Hindi. The indexes of authors, titles, and analytical concepts provide easy access to the analyses. The book will also be of interest to scholars studying the use of the present tense in modern fiction worldwide. The present tense is used more widely in Hindi than in languages such as English, and some trends that are also found in the literatures of other languages (such as the occurrence of the present tense in internal sensory focalisation) are more clearly visible in Hindi fiction. More importantly, a new explanation of present-tense passages is proposed which can also be applied elsewhere. Insight into this technique, referred to as Internal Focalisation of Awareness, leads to a better understanding of present-tense texts. |
From inside the book
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Page 99
... fall ” and jānā the second verb . 2. The continuous present indicates essentially and markedly an action in progress ... falls ( down ) " . Dependent on the context , this statement may be synonymous with pardā gir jātā hai “ the curtain ...
... fall ” and jānā the second verb . 2. The continuous present indicates essentially and markedly an action in progress ... falls ( down ) " . Dependent on the context , this statement may be synonymous with pardā gir jātā hai “ the curtain ...
Page 143
... fall into the ravine . Will she again smile like that when she has fallen into the ravine ? " ( 405 ) . Though somewhat stylised , it is a thought one can easily imagine the man would have . A little while later again , when the man has ...
... fall into the ravine . Will she again smile like that when she has fallen into the ravine ? " ( 405 ) . Though somewhat stylised , it is a thought one can easily imagine the man would have . A little while later again , when the man has ...
Page 154
... falls " . Such a qualified perception is unlikely in an interior monologue , because the event is a phenomenal one . The only sub- jective element in this sentence which allows qualification by śāyad is jhaṭke se “ with a jerk " , so ...
... falls " . Such a qualified perception is unlikely in an interior monologue , because the event is a phenomenal one . The only sub- jective element in this sentence which allows qualification by śāyad is jhaṭke se “ with a jerk " , so ...
Contents
Quoted discourse and internal focalisation | 14 |
Internal focalisation of awareness | 33 |
Psychological insight in early texts | 48 |
Copyright | |
9 other sections not shown
Common terms and phrases
actions actorial addresses appears awareness beginning belongs brief called chapter character character-bound character's close comes concerned consonant psycho-narration contains contents continuous present contrast deals Delhi direct discussed effect emotional entire example experiencing explained expresses eyes fact feelings final flashback forms frequent furnished girl haim hand Hindi hūṁ indicated initial inquit insight interior monologue internal focalisation interpretation introduction lack later leave less look main character means meṁ mind moment mother narrative narrator narratorial nature noted novel observed occurs paragraph passage past tense perception performing person preceding present tense protagonist quoted rahā rahi reader refer remembers retroversions reveals scene seems seen sentence shows similar situation starts story style subjective suggests take place taken takes techniques tells term thinking third thoughts tion told verb woman written