The Abyss Above: Philosophy and Poetic Madness in Plato, Hölderlin, and NietzscheIn The Abyss Above, Silke-Maria Weineck offers the first sustained discussion of the relationship between poetic madness and philosophy. Focusing on the mad poet as a key figure in what Plato called “the ancient quarrel between philosophy and poetry,” Weineck explores key texts from antiquity to modernity in order to understand why we have come to associate art with irrationality. She shows that the philosophy of madness concedes to the mad a privilege that continues to haunt the Western dream of reason, and that the theory of creative madness always strains the discourse on authenticity, pitching the controlled, repeatable, but restrained labor of philosophy against the spontaneous production of poetic texts said to be, by definition, unique. |
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Page 5
... tragic tear and from that freedom in the face of which the mere existence of ' psychologists ' guarantees contemporary man a depressing forgetfulness.11 It is by no means obvious , however , why Foucault can invest the language of mad ...
... tragic tear and from that freedom in the face of which the mere existence of ' psychologists ' guarantees contemporary man a depressing forgetfulness.11 It is by no means obvious , however , why Foucault can invest the language of mad ...
Page 13
... and modern philosophy , a project immeasurably more hazardous than Socrates presents it to be in his " anti - tragic theater . " 34 Antigone's deathbound decision to bury her brother appears as an FUTURE PERFECT | 13.
... and modern philosophy , a project immeasurably more hazardous than Socrates presents it to be in his " anti - tragic theater . " 34 Antigone's deathbound decision to bury her brother appears as an FUTURE PERFECT | 13.
Page 14
... tragic poet's attitude toward the mad tragic heroes is ambivalent , entailing a veiled intimacy he ultimately must forsake . In this light , Holderlin's famous image of the poet who grasps Zeus's light- ning with his hands and passes it ...
... tragic poet's attitude toward the mad tragic heroes is ambivalent , entailing a veiled intimacy he ultimately must forsake . In this light , Holderlin's famous image of the poet who grasps Zeus's light- ning with his hands and passes it ...
Page 51
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Page 55
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Antigone Antigone's appears argues Arkady Plotnitsky artist become body caesura Celan's certainly claims concept Creativity criticism critique cultural Derrida dialogue divine inspiration divine madness Eros erotic madness Essays and Letters Foucault Frankfurt/M Friedrich Hölderlin Gay Science Geist Greek Hegel Heidegger Hölderlin's madness Homer human idea insanity Irrsinn Jacques Derrida Jänner knowledge language Leben logos mad poet mad speech madman Madness and Civilization mania meaning Mensch Menschen metaphor metaphysical mind mode modern morality ness Nietzsche Nietzsche's madness Oedipus Oedipus's original palinode pallaksch passage Paul Celan perhaps Phaedrus Philippe Lacoue-Labarthe philosophy Plato's Phaedrus poem poetic madness poetry precisely privileged question reason recantation Republic rhapsode rhetoric seems self-knowledge sense Sittlichkeit sobriety Socrates Sophocles soul speak Sprache suggests technê theory thought tion tragedy tragic trans transcend translation Truth and Lie truth drive Tübingen Türcke Wahnsinn words writing
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Page 3 - As for a common language, there is no such thing; or rather, there is no such thing any longer; the constitution of madness as a mental illness, at the end of the eighteenth century, affords the evidence of a broken dialogue, posits the separation as already effected, and thrusts into oblivion all those stammered, imperfect words without fixed syntax in which the exchange between madness and reason was made. The language of psychiatry, which is a monologue of reason about madness, has been established...