Sitar and Sarod in the 18th and 19th Centuries
Motilal Banarsidass Publ., Jan 1, 1997 - 265 pages
The music of north India has attained its world renown largely through its most prominent stringed instruments, the sitar and the sarod. This work bring together material from written, oral and pictorial sources to trace the early history of the instruments, their innovators and their music.
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The Changing sitar
Rabab sarod and Related Instruments
Late Mughal Delhi and Other Centers
The 19th Century to 1857
Changes After 1857
Techniques and alap
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alap Amir Khusrau Amrtsen Bahadur Banaras Basat Khan Bengal binkar brass steel British Calcutta called century cikari court da da ra da ra da Delhi described dhrupad dirda ra dirdir dirdirdir disciple early Figure Firoz Khan frets gamak gat-toda ghan Ghulam Muhammad Ghulam Raza Gwalior Hindi Husain India Indian music instrument instrumentalists Jaipur jhala Karam Imam Khan's kharaj khyal large number later Lucknow lute Masit Khan Masitkhani melody mentioned mizrab Mughal Muhammad Khan Muraqqa'-i Mushtaq Ali Khan musicians Na'mat Khan Navab neck notation notes pakhavaj pattern Persian Purab baj Pyar Khan qavvall ra da ra ra Ex rabab rababias Radhika Mohan Maitra raga Rahimsen Rampur Roy Chaudhury rSga Sadiq Sahab Sangit Sanskrit sarod sarod players Sastri says Senia Shah's singers Singh sitar music sitar players sitar playing strokes style surbahar sursingar Tagore tambur Tansen tarab strings techniques term tuned ud-Daula Umar Khan vina Wajid Ali Shah
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