Progress and Identity in the Plays of W.B. Yeats, 1892-1907First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. |
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Progress and Identity in the Plays of W. B. Yeats, 1892-1907 Barbara A. Suess No preview available - 2015 |
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Abbey Theatre Abbey Theatre Papers androgynous argues argument Arnold audience Baile's Strand belief bourgeois bourgeoisie Bruins Cathleen ni Houlihan Celt Celtic century chapter characters Christian colonial Conchubar construction conventional Countess Cathleen critics critique Cuchulain cultural Darwin defined Deirdre depiction Dowden dramatic early plays England English essentialist explains fact fairy Father Hart feminine Fergus gender Heart's Desire hero Huxley hybridity ideal identity imagination imperialist individual instance intuition Ireland Irish Literary Irish mythology John Rees King King's Threshold Lady Gregory Land of Heart's literature logical Mary Mary's masculine mask materialism materialistic Maurteen middle class moral Naoise National Library nationalist nature nineteenth-century norm passion play's poetry political popular postcolonial progress progressivism race realistic reinforce represents reveals role Seanchan similarly social social Darwinian society soul specifically spiritual Theatre Papers 12,145 theories tion traditional Victorian and Edwardian Victorian era W. B. Yeats women Yeats's Yeats's early Yeats's plays