The Sitar: The Instrument and Its Technique

accompanied Alap Arohi audience Avarohi bridge called century Chikari strings classical music combinations consists correct curve ddr ddr ddr descending Dhin Dhrupad dk dk dk dr dr dr drddr ddr drdr dr dr exercises finger-board fixed forefinger four frets Gamaka gourd hand higher important Indian intervals Jati Khan Khyal kind known later left hand LIBRARIES lower Matras Meend melody MICHIGAN middle finger Mizrab movement musicians Name notes octave ornament pattern performed phrase pitch placed Plate played player plucked position practised produced pulled Raga remains RG RG Sargam scale seven shape Sitar Sitarist sound South-Indian SRGMP Sthayi stopped string instruments stroke style Surbahar surface Tabla Tala Thata tuned UNIVERSITY Vina wire