The romantic manifesto:

achieve action artist aspect Atlas Shrugged attempt automatic Ayn Rand basic premises beautiful characterization characters child choice cognitive complex concept concrete-bound concretes conflict deal dramatic Edmond Rostand element emotional epistemological essential esthetic ethics evaluate evil existence fact feel fiction fundamental goals hero Howard Howard Roark Hugo's human humor Ian Fleming ideal important integrated intellectual involved irrelevant issue James Bond Keating's kind literary live logical look man's consciousness means Mickey Spillane mind modern moral values motives movie Naturalists nature needs never Ninety-Three normative abstractions normative science novel novelist observe one's particularly philosophy physical plot plot-theme popular present principles projection psycho psycho-epistemological psychological purpose rational re-creation of reality reader reason regard Roark Rod Serling Romantic art Romantic literature Romanticism Romanticists scene sense Sinclair Lewis soul story style subconscious theme things thrillers tion universe Victor Hugo virtue writer