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Contents
Common terms and phrasesaction American military American soldiers Apocalypse argues Army attack audience Basinger Bataan battle characters cinema combat movie commitment complex construction contemporary period Courage Under Fire critical crucial cultural imagination cycle of films cynical D. W. Griffith described documentary Doherty early enemy fighting film industry film's flag footage forces foreign policy gender German Hawk heroic historical Hollywood ideological Japanese Jarhead John killed Koppes & Black Koppes and Black late Lewis Milestone masculinity memory Miller mission moral movie genre narrative Nazi nostalgic notes Oliver Stone opening sequence particular patriotic patrol Pearl Harbor Platoon political powerful production propaganda propagandist racial Rambo Raoul Walsh release representation result role Saving Private Ryan scenes Schatz sense shape shot shown significant Spielberg Steven Spielberg strategies structure struggle Stuart Blackton tion trauma trope victim victory Vietnam Vietnam veteran Vietnam War movies viewer Wake Island Walsh war's Western Front Willard William Wyler References to this bookFrom Google ScholarThe Berkeley Undergraduate JournalNotre Musique Traumatized masculinity and American national identity in ...Mark Straw - 2008 - New Cinemas: Journal of Contemporary Film References from web pagesingentaconnect Westwell, Guy. War Cinema: Hollywood on the Front ... WESTWELL, GUY. War Cinema: Hollywood on the Front Line. London ... guy westwell libri - I Libri dell'autore: Guy Westwell ... 映画研究入門書01：Wallflower Press "Short Cuts"シリーズ2 ... Wallflower Press- War Cinema 【楽天市場】War Cinema: Hollywood on the Front Line：楽天ブックス Bibliographic information
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